In many cases, films that are not historical films-films that are not chiefly concerned with real historical figures or a real historical event-can still perform the same functions as a historical film films that are set in the past but belong to other established genres, such as Guillermo del Toro’s El Laberinto del Fauno/Pan’s Labyrinth (2006), can nevertheless engage with an audience’s relationship with the past. noir Inherent Vice was released the same year Thom Andersen’s film appears to anticipate a film like Inherent Vice, as Paul Thomas Anderson’s film offers a history of Los Angeles through evoking other films set in the city. ![]() Almost by coincidence, Paul Thomas Anderson’s adaptation of Thomas Pynchon’s L.A. “The most photographed city in the world,” according to Andersen, reveals through moving images what a real world often obscures. Andersen’s film is an intricate history of the enigma that is Los Angeles, revealed through the film’s produced there. His film-a documentary, a video essay, and a piece of film and social criticism-was not officially released until 2014, only shown previously at festivals and special screenings. Andersen suggests that a secret history of a city, one not readily accessible through documentaries or non-fiction writing, can be gleaned from the fictional films set in that city. ![]() In Los Angeles Plays Itself (2003), director Thom Andersen observes: “If we can appreciate documentaries for their dramatic qualities, perhaps we can appreciate fictions for their documentary revelations” (Andersen 2003).
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